Introducing PHASE28, a new phase shifter effect.

The Stages selector gives you control of how many stages from 2 to 8. Use 4 for a classic 4-stage phaser, or 2 stages for subtle shimmer effects. You can increase the stages to 6 or 8 stages for new creative experiments.

Stage models based on the famous orange phaser pedals and legendary phaser - "stone" pedal.

Introducing a powerful granular effect for real time processing of audio signals with pitch-shifter and delay. With GRAINSHIFT you can select the position and length of grains that you get from the incoming signal, as well as the playback direction of grains that can be pitch-shifted and mixed with the dry signal.

Grain size has a range from 0-800ms and the size of grains can be relative to tempo. Grains can also have random size variations. Density can be adjusted to vary the overlap between grains from 0 to 4X. Grains can be quantized to a beat grid. One of the unique features of this granular effect is that grains can be played back in Forward, Reverse and Random modes for each grain.

Q-FX Quad Multi Effector from SKP Sound Design is a Swiss Army FX unit that combines 4 independent effect processors with 23 FX types into a simple but highly tweakable 2U Rack Extension. Q-FX allows the creation of custom serial effect chains ranging from simple EQ and filtering algorithms to spaced-out reverb and delays, twisted distortions, bit crushers and other-worldly experimental FX. Q-FX Quad Multi Effector is your one stop shop for creative effect processing.

Features:

- Mix & Match 23 FX Types

- Create Custom FX Chains

- Simple & Powerful UI

Echobode is a delay effect with a frequency shifter placed inside the feedback loop. The frequency shifter algorithm is inspired by the classic Bode Frequency Shifter (named after its inventor Harald Bode). The difference between a frequency shifter and a pitch shifter is that it shifts the audio spectrum linearly. E.g. an overtone series of 100, 200, 300 Hz can be shifted by 50 Hz to 150, 250, 350 Hz, making the overtones inharmonic. This effect in itself is great for creating metallic bell timbres, but putting it inside a delayed feedback loop opens up many other possibilities.