A golden throat at your fingertips.

Jussi emulates male voice vowels in a unique way. Thanks to a set of powerful parameters you can make Jussi sing anything from soft and airy choir-like vowels to hard and angry shouting. Formants are controlled by playing with different velocity, which makes it fun and easy to play using a MIDI keyboard.

Features

Tomofon - Real Audio Synth

We are pleased to introduce Tomofon, a completely new expressive audio synth. This virtual instrument introduces a new "Audio Model” format capable of containing thousands of waves extracted from ordinary audio files. These waves - and how they’re structured - lays the ground for how Tomofon generates audio, resulting in a highly flexible and instantly expressive instrument. that on one hand sounds very organic and on the other, like something out of this world. Whether you want to play around with the Audio Model Starter Pack (instruments & voices) and factory presets, or import your own audio to shape your own unique soundscapes – it is fair to say that you are in for a creative journey.

EXTREME PITCH SHIFTING

Underneath Pitch Monster’s streamlined exterior lurks an absolute beast, capable of 64 voices of sound-warping insanity. Transform a solo vocal into a beautiful choir or robotic melody; turn a mono synth into an orchestra, or your own familiar speaking voice into the rumbling vibrations of Thor, God of Thunder.

With its granular, formant and robo-tastic vocoder engines, Pitch Monster goes far beyond ordinary pitch shifting. Realtime MIDI control, low latency and 8-voice polyphony mean that it can be played like an instrument. Pitch and time spread and randomisation functions turn ordinary sounds into the fantastical, whilst extreme formant shifting can not only alter the gender of a voice, but mutate it into an entirely different species!

Pipa is a singing vocal synth with a unique and different sound. It is inspired by the expression and flexibility of the human voice, but does not aim to cover all the aspects of an actual voice. Instead, it focuses on an organic and musical sound where the user has the possibility to control formants and dynamics seamlessly.

The synth engine is a crossover between a wavetable- and a granulating synthesizer, which results in a very expressive and playable instrument. Instead of using ordinary samples or processing oscillators with formant filters, Pipa uses a large database of thousands of wavetables extracted from real vocal samples. The advantage of the technique being used is that it’s possible to seamlessly morph between wavetables with proper phase alignment. This enables Pipa to continuously make transitions between pitch, formants and dynamics, which is very useful in a musical context.