Put on your shades and get on board the time machine, as Stratum will take you down the wormhole straight into the 1980s futuristic soundscapes. By combining the fat, wide supersaw oscillators with the classic, rich sounding FM engine, we have brought synth technology of different eras together to give you THE SOUND of future-past.

Stratum will provide you with all you need to create tracks in a variety of retro-inspired genres, be it synthwave, retrowave, outrun, cinematic electronica, 8-bit chiptunes, you name it. These timbres are gaining popularity fast and, if you want to keep up with the wave, check out Stratum. The instrument will also prove of great use in techno, trance, lo-fi hip-hop and EDM, bringing a blast from the past to spice up your tracks.

Continuous Loudness Control (CLC) is a Masterclass PlugIn featuring a unique visualization and patented loudness processing algorithm as a plug-in and stand-alone software. The amazing look-ahead low latency algorithm used in the CLC allows dynamic loudness processing of unknown live audio and audio files to a given loudness value with or without changing the original Loudness Range and protects to an adjustable True Peak value. CLC further improves the quality of loudness processing with various enhancements like batch processing of audio files, extended audio format support, (e. g. MXF) an expert mode for very special material, Mmax and Smax limiting, report functions, and optimized presets for e. g. streaming audio.

PSP 608 MD is perhaps the most fully featured delay plug-in available on the market (VST, AudioUnit, RTAS and AAX format for Mac OSX Universal Binary and VST, AAX and RTAS format for Windows). We have striven to offer you a creative tool that is not only functional, but inspiring. Each tap has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options! The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from our renowned mastering processors. And of course all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.

PSP HertzRider2 (frequency shifter plug-in) is the successor to the PSP HertzRider. It benefits from algorithm optimization and adds numerous significant new features. It's been designed to be as simple as possible, to take as few resources as possible, and to incur only a very slight (and frequency dependent) latency.

PSP HertzRider2 can be an incredible tool for tuning inharmonic sounds like snares, and for harmonic sounds it becomes a creative and crazy destructive tool. In addition to a wide range of shifting settings the algorithm contains an LFO (low frequency oscillator) to provide interesting modulation options allowing you to further creatively experiment with this tool.

PSP InfiniStrip is an infinitely configurable channel strip plug-in (AAX, AudioUnit, VST, VST3, RTAS) based on 20 years PSP experience in developing handcrafted plug-ins for tracking, mixing and mastering.

PSP InfiniStrip can be used for mixing, tracking or live streaming/broadcasting anywhere you need a great sounding and easy to configure channel strip, without having to worry about latency.

Slapper is a multi-tap surround delay with a stunningly intuitive interface, fantastic console integration and some freakish sound design potential.

You can make anything from an attic to a canyon... from a simple vocal slap to insanely complex syncopated grooves - and you'll do this quickly, and precisely, and with a big smile on your face.

Slapper's interface is so intuitive, so ergonomically tuned, that it really is a joy to use. Whatever you do with it, it's always going to look exactly like it sounds.

For decades, the 480 has been the standard by which all other reverb processors have been measured. Ask any pro and you'll soon learn that the 480 is widely considered to be one of the best-sounding reverbs ever built. Nothing compares to the distinctive, smooth, rich "480 sound”.

Improved Preset Management

The new preset manager for the Relab LX480 allows you to manage reverb presets using an attractive and intuitive interface.

BRICKWALL HD is a brick wall limiter plug-in like no other. Designed for use in professional and home studio mastering scenarios, it sports both classic transparent limiting and modern loudness oriented workflow for outstanding and predictable results. With its optional desktop controller, BRICKWALL HD is a pioneering fusion of premium software and next-generation hardware assisted workflow.

The 358 Enhancer is a single-stage, 'straight-path' process allowing control of the bass/treble frequency balance of a stereo mix or mono channel.

It can be used in many applications requiring from slight to more drastic frequency balance correction, but unlike a conventional EQ or filter, the 358 uses internal multiband phase processing. This results in a more dynamic, realistic frequency content which is adjustable with two main controls for constructive (boost) process, folding at the classic 150Hz (LF) and 2.4KHz (HF) frequencies.

The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP's precisely modeled filters embody that spirit flawlessly.

The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They're so articulate, they can make drums sound like they were tuned and even mic'd differently.

No matter how aggressively its set, Electra is relentlessly smooth and unapologetically analog in character.