Mastering compression, limiting, and de-essing without compromise. Every mastering engineer's fondest dream is about to come true. Our plug-in is a line-by-line code port of the legendary Weiss DS1-MK3 mastering processor - the unit no serious mastering engineer can do without.

The DS1-MK3 brings unparalleled mastering quality into the DAW-based studio with new features and workflows, and makes the very best in mastering dynamics more affordable than ever.

There's a reason the eq that inspired this plugin has endured 45 years of musical fashion & trends: it does all the right things to sound. But even a stunning classic isn't safe from my meddling tastes!

For starters, this eq's curves are a bit tighter than the original. Next, I added a Saturation knob to overdrive a customized op-amp. That knob generates a very creamy, lush distortion, I'll often use the Sat on its own, no EQ'ing. It's fat, and very much a signature Sly-Fi sound!

Legendary Audio I.C.E. (In Case of Emergency) is a De-esser, a frequency band specific Dynamic EQ, a frequency band specific Compressor, and a De-distortion plug-in. In short: An amazing "all-in-one” plug-in!

Distortion, especially of the digital type, is a huge problem in audio today. It is very easy to get a "warm” microphone, a "warm” preamp, plug-in, mixing console, and other software

DSP compressor with groundbreaking attack & release qualities, separate i/o Saturation, and two optional tone circuits.

Novatron is an analog-modeled compressor that borrows so many sonic properties from so many different classing hardware units that, ironically, it could only exist in the world of DSP.

With separate in/out Transformer Saturation, two optional Tone Circuits, and a monstrous compressor with groundbreaking attack and release characteristics, the Novatron produces the same three-dimensional 'solidity' and tone typically reserved for expensive hardware.

ADAPTIVERB is a revolutionary reflectionless reverberation plugin. Unlike traditional reflection-based acoustic room modeling, ADAPTIVERB adds perceived depth, harmonic richness, and butter-smooth tails without obscuring the source.

Preserving the tonal definition and directness of your mix, it adds size, glue and body – making it perfect for mixing and mastering applications alike.

Powered by ray tracing, source separation, and advances in artificial intelligence, ADAPTIVERB automatically adapts to the input audio like a chameleon, blending with your sounds perfectly, and conforming its reverb tail to the tonality of the input or a user defined set of notes.

SYSTEM 6000 Integration Plug-In for Workstation Systems

Product Features

- Audio and video software plug-in lets you integrate pristine SYSTEM 6000 processing with your DAW or NLE

- Easy DAW and NLE integration of your valuable SYSTEM 6000 audio effects even as workstation components are upgraded

- Save and reload all of your SYSTEM 6000 settings right inside your DAW or NLE project

Designed from the ground-up to provide an efficient and inspiring workflow, Relayer lets you dial in everything from basic delays to radical rhythmic multi-effects with speed, precision and natural musicality.

Feature Highlights:

Native loudness meter plug-in

Get the very latest in native plug-ins to measure Loudness and True-Peak on mono, stereo and surround tracks. We've loaded the native LM2n with new dedicated settings, new viewing options, improved off-line measuring in Pro Tools - and a host of other new features.

Of course they come with our innovative Radar Display, allowing you to capture the essence of your loudness landscape at a glance:

FG-RED

This compressor is based on the classic RED-faced compressor that has been a favorite of mix legend Chris Lord Alge, who first showed it to me when I visited his studio years ago. I thought it was odd actually: 

There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can't give you the original, but I can give you my twisted take on it.

For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain 'push' to smooth out harsh, aggressive stuff.