Join us at Jacquire King's Nashville studio for a in-depth workshop on recording, production, and mixing techniques! Each episode of this 16-part series focusses on tips and tricks used by the Grammy-winning engineer, who reveals many facets of his record-making process. Using Pro Tools sessions of three different songs, King demonstrates his methods and gives reasoning for their application to the source material. Some of the numerous topics covered include his mix buss chain, choosing a vocal EQ, adding presence to bass guitar, and optimising polarity. Not only does he impart a generous amount of his mixing workflow – he also covers his approaches to recording and production. Jacquire shows you his way of tracking drums, punching in a guitar, subtly enhancing a vocal with Auto-Tune, and much more!

Join mix engineer Tony Maserati at Studios La Fabrique to explore multi-track sessions of K.Flay and Maggie Koerner. Throughout this nine-part workshop, Maserati breaks down his various approaches towards enhancing each individual part in the producer's sessions. Learn more about processing 808 bass, kick, snare, percussion and vocals in the edgy, trap-inspired song 'Dreamers' from K.Flay’s 2018 Grammy-nominated Best Engineered Album. Broaden your palette on creative ways to treat electric guitar, acoustic guitar and piano in the soulful, blues-infused 'Shadows' by Maggie Koerner. Step-by-step, Tony Maserati demonstrates his ITB techniques for EQ, compression, tube saturation, harmonic distortion, tape emulation, stereo enhancement, signal doubling, shifting pitch, blending samples and adding effects. He also refers to the important topics of phase coherency, mono compatibility, edit artefacts, frequency masking and tonal development.

Join us at Sphere Studios in Los Angeles with the revered producer and engineer Nick Launay, where he shares his experience and people skills approach to working with bands. Focussing on Black Rebel Motorcycle Club, Launay discusses tracking at Sunset Sound studios, and enlightens us to his mixing process that comprises most of the work 'in the box', then finishing on a console.