MixWithTheMasters Deconstructing A Mix #40 Tchad Blake TUTORiAL
Soft / Video Lessons 24-10-2021
MixWithTheMasters Deconstructing A Mix #40 Tchad Blake TUTORiAL
Join us for another series with the king of crunch, Tchad Blake! Filmed at his own studio in Wales, this instalment is a 'Deconstructing a Mix' special that gives you a fly-on-the-wall observation of Tchad mixing a session. His objective is to remix the 2005 single 'No Wow' by The Kills, and you can witness how he does this from start to finish. Blake introduces the project, explains his goals, walks you through the multi-track, then tackles the job. You'll see how Tchad enhances the original mix while maintaining its gritty aesthetic by applying a variety of creative techniques. These include stereo image expansion, 3D audio processing, automated effects, multi-band compression, and much more!

PART 1
00:08:32
Mix template & timelines, delay compensation, session overview, drum sample triggering

PART 2
00:18:54
Compression, EQ, transient design, harmonic distortion, stereo expansion, convolution reverb

PART 3
00:20:20
Lead vocal chain, spring reverb, saturation, cassette emulation, print-through, arrangement

PART 4
00:14:14
Mix buss treatment, beat & groove aesthetics, automation passes, monitoring, dynamics

PART 5
00:12:48
Pre-delay & level automation, 3D audio processing, maintaining perspective, progress

PART 6
00:17:26
De-essing, retaining sibilant energy, drum timing, rough mix comparison, print, commentary

home page:

https://bit.ly/3nni9bL
Related articles
MixWithTheMasters Tchad Blake Mixing Template #1 TUTORiAL MixWithTheMasters Tchad Blake Mixing Template #1 TUTORiAL
Soft / Video Lessons 1-03-2021
Join us for a detailed walkthrough of Tchad Blake’s ITB mix template! Hosted at Studios La Fabrique, this series gives a revelatory look into how one of history’s most innovative engineers sets up his multi-track sessions for mixing. Using a Pro Tools session without audio, we focus purely on Blake’s track layout, routing, and signal chains. He discusses fundamental differences of achieving desired results from hardware vs. plug-ins, digital gain structure, and overall loudness, then shows all of his inserts and their parameters used on channels for drums, samples, percussion, bass, guitar, strings, and the mix buss. He also explains the roles of his extensive number of effects tracks, unveiling his creative plug-in combinations used for delay, spatial enhancement, reverb, modulation, tape saturation, and cassette emulation.