The first MWTM series with renowned mixer Chris Coady has landed! Hosted at EastWest Studio 3 in Hollywood, these videos reveal how Coady mixed the 2022 indie rock single ‘Make It Right’ by Sasami. He gives an overview of how his workflow evolved since he began mixing at age eighteen, and reasons why he sometimes opts for mixing ‘in the box’ while other times will implement a hybrid approach.

Chris discusses his professional relationship with the artist and goals for this project, then dives into the session. You’ll see how he mixed the song entirely within Pro Tools, learn about his clever template in detail, and note his favourite plug-ins used for specific purposes. He shares his techniques for parallel processing, adding excitement to vocals, widening the mix while retaining central energy, and much more!

Join Alan Meyerson to explore the music of the award-winning 2020 movie 'Mank'! In this series, Meyerson describes how he has redefined his workflow in light of restricted access to commercial studios and sessions. He takes you through his compact yet highly efficient 5.1 home setup, discussing his transition to a different process and environment. Alan explains how he has managed to continue achieving world-class results on major film and game scores with his new simplified rig. He refers to a number of projects undertaken since early 2020 and shares the ways in which he has harnessed technology to get the job done consistently and without compromise. Taking you through his Pro Tools mix session of 'Mank', Alan Meyerson plays the various parts, details how they were recorded by solo musicians, and reveals an impressive convolution plug-in that has been a saviour in his line of work!

Enter the compelling world of film score mixing at Studios La Fabrique with the acclaimed engineer Alan Meyerson! We explore the multi-track of a piece from the 2018 sci-fi action movie 'The Predator', composed by Henry Jackman and recorded at the Newman Scoring Stage of 20th Century Fox. Meyerson reveals his microphone, preamp and signal routing decisions at the tracking stage, then takes you through every aspect of the intricate Pro Tools session. We observe how he harnesses modern DAW, plug-in and control surface technology to manage expansive track counts and let mixing creativity flourish. Alan explains his implementation of groups, VCAs, auxiliary channels, master faders, automation, time-alignment, pitch-shifting, and more. He also shows his array of plug-ins and parameter settings used to treat a wide variety of orchestral instruments and samples.