Our third series with the fearlessly creative producer and engineer Shawn Everett is here! Brought to you from Motorbass Studio in Paris, this twelve-part installment presents a detailed example of how he tackles an ‘in the box’ mix from scratch. The project at hand is the song ‘Victim’ by The War on Drugs, which Everett mixed previously for its 2021 release. In this case he begins with a blank canvas, opening the production session and crafting a mix from zero. He provides an overview of the session, discusses the lengthy recording process, and conveys how experimentation with tape was an essential foundation of the record. He proceeds to give a comprehensive walk-through of his unique approach that comprises frequency band analysis, reference material, and mix buss alteration as a first step. Following the essential groundwork, Shawn demonstrates how he enhances individual tracks and groups with a variety of tools and techniques!

Step inside Spank Studios in Miami, home of renowned rock mixer Tom Lord-Alge! This in-depth series focusses on TLA's editing and mix techniques used on 'Back to the Shack' by Weezer. Tom explains his hybrid setup and workflow, giving a rationale for choosing to implement a combination of Pro Tools, a Sony 3348 HR tape machine, and his SSL G+ console. Following an overview of his setup, TLA takes you through the mix session and reveals some of his very clever and useful techniques; notably, how he triggers drum samples with high precision and removes cymbal leakage from tom-tom signals.You'll see how he effectively manages his sessions, time-aligns drums, adds effects to vocals, compresses his mix buss, and much more!

Step inside Shawn Everett's personal studio and watch his creativity run wild! In this novel series, the highly innovative producer takes you on a journey of bold experimentation with audio. He captures some basic sounds, then employs analog and digital signal processing to the extreme. Using tools for shifting pitch, altering speed, adding harmonics, and more, Everett creates an extraordinary melodic soundscape that is a far cry from the source material. He layers numerous tracks, applies effects, shows unconventional ways to use Melodyne, and blends the material with a record by The War On Drugs.

Explore the hybrid mixing workflow of Marcella Araica, mixing engineer of pop hits by Timbaland, P!nk, Madonna, Duran Duran, Britney Spears, and many more! On an SSL 9000J at Platinum Sound Studios in NYC, Marcella opens the 2007 Pro Tools session of 'Bad Girls' by M.I.A., originally mixed fully analog. Using a combination of her favourite plug-ins and hardware, she builds a fresh new mix of the track. Watch her moves every step of the way as she takes you through her parameter settings, creative choices and mixing philosophy.