Recorded live onto an 8-track tape machine and later mixed straight to ¼ inch, Love Letters evokes the spirit of classic 60s and 70s records but with an inherently modern edge. Discover the all-analog production process behind the song, complete with mechanically crafted modulation effects and tape-spliced arrangements.

After the dazzling success of Metronomy’s third album, British producer and songwriter Joseph Mount felt the need to change track. Enchanted by the old-school techniques of the 60s and 70s, he set about making an all-analog album in the age of the internet.

This 3-Part series explores the production process behind the band’s 2014 single, Love Letters. Recorded live onto an 8-track tape machine and later mixed straight to ¼ inch, the record evokes the spirit of classic records but with a subtle modern edge.

Joseph describes how the band used an immaculately restored EMI console, some outboard and a tape machine to shape their musical process from the ground up. He retraces his steps arranging the song for a limited track count, recreating simple modulation effects the hard way, and making risky tape edits to bring it all together.

A digital native, Joseph emphasizes the value of searching for new experiences in the studio and the rewards that come from taking creative risks. When even simple processes become a challenge, anything can happen.

Part 1
Working on tape, pre-production, arrangement


Part 2
Live recording, effects, artistic intention, philosophy


Part 3
Limitations, equipment selection, referencing

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