Reason RE Synthetech Sound Spectra Additive ReSynthesizer v1.0.2 WiN
VST Effects / VST Plugins 19-10-2021
Reason RE Synthetech Sound Spectra Additive ReSynthesizer v1.0.2 WiN
Spectra is a powerful digital additive resynthesiser built exclusively for the Reason platform. Spectra’s ability to analyse and resynthesise any periodic, harmonic waveform via its inbuilt spectral waveform analyser means you may never exhaust Spectra’s sound creation possibilities. If you have ever wanted to sculpt sound by drawing your harmonic spectrum, waveform or drawing a spectral filter response then Spectra may be what you’ve been waiting for.

Each voice in Spectra’s synthesis engine utilises two spectral generators giving you complete control over the harmonic structure of your sound. The built in and user definable spectrum modulators ensure you can control multiple harmonics, single harmonics, morph 2 spectra, sequence spectral morphing, morph filters, sequence filter morphing all via automation.

Spectra’s waveform analyser ensures you will never be without sonic options, enabling you to analyse internal and/or external sound sources, draw your own waveforms and store harmonic spectra from any periodic source.

Spectra’s editor enables you to draw your own harmonic spectrum, draw your own filter responses and develop your own filter and spectrum morphing sequences with ease.

Spectra has a plethora of built in modulators enabling you to sculpt sound in almost any way conceivable. Spectra’s 2 harmonic envelopes each contain 256 DADSR envelopes enabling you to shape, sculpt or contour sound spectrums beyond you imagination while the 3 sixteen stage MSEG’s provide additional modulation options. Spectra’s 2 LFOs enable you to draw your own LFO Shapes and also include Sample and Hold functionality.

Additive Synthesis used to be hard. Not anymore. Spectra enables you to program complex additive patches with relative ease. Spectra’s design is based on the principle it should be as easy or as complex as the user wants it to be. This is also supported by our basic philosophy that synthesisers should be fun, no matter how you define fun.

Features
Easy to program Additive Synthesiser which enables you to control each harmonic in a Generator.
Over 400 included patches from renowned sound designers.
Easy to use Spectral Analyser enabling you to recreate any existing periodic, harmonic waveforms.
Full modulation control over the harmonic spectrum including modulation of multiple harmonics, single harmonics, harmonic tuning and the ability to morph with 2 different morph targets.
Fully editable Harmonic Spectrums
Fully editable Spectral Filters enabling you to draw your own filter.
2 Harmonic Envelopes, each consisting of 256 DADSR envelope enabling you to shape the contour of each harmonic in a sound.
True Spectral Morphing
Morphing Filters
Harmonic Morph Sequences
Filter Morph Sequences
Editable LFO Shapes
3 MSEGs of up to 16 stages
2 Built in XY Controllers
6 External CV Inputs

You need R2R Reason release and TEAM R2R Reason Rack Extension Cache Builder.

home page:

https://bit.ly/3vu1K9g
Related articles
Image-Line Morphine v1.6.9 WiN Image-Line Morphine v1.6.9 WiN
VST Effects / VST Plugins 16-09-2021
A Small Revolution
Morphine is a powerful Additive Synthesizer with a logical, flexible architecture that allows you to create any sound. You can do this directly by adjusting harmonics manually or by taking any input sample and resynthesizing it into one of 4 independent voices.

Additive Synthesis has been considered one of the most desirable ways to emulate real instruments or to create new sounds. However, Additive Synthesis has proved both technically and conceptually difficult to implement, requiring expensive computational algorithms and hardware.
Sound Radix SurferEQ v2.0.6 WiN Sound Radix SurferEQ v2.0.6 WiN
SURFEREQ is a ground-breaking pitch-tracking equalizer plug-in that tracks a monophonic instrument or vocal and moves the selected bands with the music.

Synthesizer filters can track the pitch to maintain the timbre of the sound throughout the instrument's voices. However, sound equalizers have always been static. While being effective for broad tone-shaping and room resonance correction, standard EQs do a poor job at maintaining the vocal or instrument's timbre as the music changes.