MEQ-5 Midrange Equalizer
The MEQ-5 based on Classic Mid-Range Equalizer from the '70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix.
The HLF-3C completes the MEQ-5 plug-in. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.
Save time and avoid tedious manual workarounds with MEQ-5 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

Passive EQ Collection Immersive

The EQP-1A based on Classic Program Equalizer from the '60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the EQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware.

The MEQ-5 based on Classic Mid-Range Equalizer from the '70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix.

DaVinci Resolve is the world's only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy enough for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don't have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It's like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you're learning how to use the exact same tools used by Hollywood professionals!

DaVinci Resolve features new image processing for the latest wide gamut HDR, a powerful audio engine, immersive 3D audio workflows and more! Colorists get new HDR grading tools, AI based magic mask and more. Fairlight upgrades mouse and keyboard based edit selection tools along with Fairlight audio core, a high performance audio engine that supports 2,000 tracks on a single system!

DUNE 3 builds on the award-winning DUNE 2 synthesizer, adding frequently requested features and innovative ideas, to create the best DUNE experience ever!

DUNE 3 comes with many new patches crafted by expert sound designers. Since DUNE 3 is fully patch-compatible with DUNE 2, it includes its presets as well,
doubling the factory library size to more than 1000 patches.

The revised filter section in Dune 3 now sports a dual multimode filter plus an insert effect. Different routing modes like serial/parallel and seamless blend via the Balance knob allow for unlimited creative input!

FinalPlug combines a lookahead peak limiter with ITU BS.1770 loudness metering. FinalPlug can be used as an insert effect, providing limiting for gain staging or volume maximization, or can be placed at the end of your mastering chain to guarantee your audio meets loudness and true peak delivery requirements.

The FinalPlug interface could hardly be simpler. When used as a loudness maximizer, select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.

To meet loudness and true peak delivery standards, select the "Analyze" preset and then select a delivery target specification. This sets up the integrated loudness and true peak target levels. Then play your session. The integrated loudness and true peak levels are displayed as the music plays, and will be colored orange if they exceed the target levels. At the end of playback, click MATCH. This sets the limiter parameters to meet the target specification.

n-Track Studio 10 Suite provides musicians and producers with a complete DAW environment for recording, editing, and mixing with an easy workflow and audio resolution up to 24-bit / 192 kHz. It supports an unlimited number of audio and MIDI tracks, as well as plug-ins including VST, VST3, DirectX, AU, and ReWire.

Studio 10 Suite offers 64-bit mixing and processing with sample-level editing and full automation of volume, pan, aux send & returns, and effects, great for programing fade-in/outs, cross fades, and more. The built-in effects include reverb, compression, parametric & graphic EQ, echo, auto-volume, pitch shift, chorus, multi-band compression, spectrum analyzer, drum machine/synth, and the n-Track vocal processing module. Version 9 also introduces improved guitar and bass amp simulators, as well as the VocalTune plug-in, which allows you to fix the pitch of your vocals and snap them to common scales or custom ones, for simple pitch correction or complete vocal transformation.

This tool was designed to make gain matching easy and fast!
Have you ever seen a plugin that sounds so much better when you put it on? And later discovered that it just adds 1 dB of gain on everything?

Or maybe a new compressor, that has a fixed 2dB steps output knob? So that comparing before and after is a pain?

Or maybe a saturation plugin with no output gain, so that it's almost unusable?

Decide if it's better, not louder, in a moment!

Redline Reverb II is a musical reverb that excels in both warmth and transparency at extremely low CPU usage. It is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional.

Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything inbetween. Just check out the 112 factory presets for a comprehensive showcase of what it can do.

Redline Reverb II has been fully modernized with a new look & feel, a resizable GUI and a new preset management system. A stereo width knob has been added to enable you to widen or narrow the reverb according to your wishes.

Effectrix2 is the latest and greatest version of our beloved real-time audio manipulation tool. Embrace your role as the conductor of sound, as you paint the matrix with 14 top-quality effects, meticulously designed and refined to perfection. From classic time-stretching and looping to granular synthesis and glitchy madness, the possibilities are endless. Whether you're a professional producer, hobbyist, or daring DJ, Effectrix2 will become your go-to tool for adding that extra touch of magic to your tracks.

Key Features
32-step effect sequencer with swing and dynamic length
14 high-class effects from classic to advanced
Up to 12 complete setups (patterns)

MondoMelt is a lo-fi character effect designed for quickly creating tape vibes on the fly, taking the melting and tone-shaping capabilities of Echomelt3 and wrapping them up into a compact plugin that gives you instant results.

Pitch instability, audio degradation, saturated crunchiness and cassette tape aesthetic are instantly available by tweaking just a few controls.

Sculpt your frequencies with a simple, yet versatile, 3-band EQ. Drive the resulting signal into a pleasant saturation and apply extra shaping for wild distortion. Age your sound with a damper control for reducing the high end until you have the perfect lo-fi cassette vibe.

Melt your sound with Wow, Flutter and Dropout modulation, giving your sound instant character with pitch-drifting, audio degradation, and VHS-style fluctuations.