With powerful compressor and gate effects intuitive controls, and legendary Midas tone, the DYN 3000 is a versatile dynamics plugin which brings the flexibility and immediacy of a Midas console to your DAW.

Product Features

- The essence of Midas sound as a standard plug-in for your DAW

- Versatile compressor and gate effects based on the Midas HERITAGE 3000 console

The XILS 4 emulates a prototype that was never released, the EMS VCS4, based on two intricate and interacting VCS 3 ( Synthi) cores. We also coupled them with the famous 256 analog polysequencer

Is that all ? No, of course, we added a SECOND Matrix, offering 2 additional envelopes, one LFO, a detailed Sample and Hold module, and a Voltage processor. Then invited Velocity, Modulation Wheel, Aftertouch, and all the Midi Cc to join the party.

Digital recording is now the standard for professional music production. But many engineers and musicians long for the days of analog recording, and for good reason.

Analog Tape Machines have a SOUND.

Big, fat, warm, deep, rich and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. To those that know, tape is simply more musical.

With a cutting-edge algorithmic design, Sparkverb breaks the boundaries of contemporary reverbs giving users modern and innovative controls that dramatically enhance usability, speed and creative freedom while delivering breathtaking sound quality and remarkable CPU efficiency.

Sophisticated Design - Enormous sonic range, fast and efficient workflow

Easily traverse everything from natural sounding spaces to infinite, shimmering ambiences with stunning depth and fidelity throughout the entire spectrum. This type of range typically implies a dense and complex interface - not in Sparkverb. Usability and workflow were pivotal considerations in development.

UVI Thorus - Polyphase Modulation Effect

Thorus represents the next iteration in modulation effect design, delivering a sophisticated yet easy-to-use feature set, exceptionally clear and defined sound and an attractive interface.

A gritty, swampy, movement generator based on a literally unique piece of frankenstein kit.

There's only one Kaya... literally.

S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit 'Pa', a minimal box with swampy distortion and a very heavy bottom.

Add the smoothest high end you've ever heard without even a hint of harshness. Fresh Air is a dynamic high frequency processor that breathes new life into your mix with just two knobs.

More Than Just A Pretty Face

Fresh Air combines serious audio processing behind a gorgeous facade. Based on vintage exciter circuits and advanced dynamics processing, Fresh Air lets you add just the right amount of brilliance & shine to your mix in simple interface you can start using right away. Put it on individual tracks or your entire mixbus - whatever you choose, the results will blow you away.

Reverb is perhaps the most fundamental effect in audio production. Over the past several decades several classic digital reverb units have become staples for professional mixing engineers, and VerbSuite Classics brings you ALL OF THEM.

FUSION IR TECHNOLOGY

VerbSuite Classics is a partnership with LiquidSonics, and uses proprietary FUSION IR processing to capture the evolving and modulating characteristics of the modeled hardware reverb tone. In blind comparisons, users could not differentiate between the real hardware reverb patch and the VerbSuite capture.

PhoenixVerb Surround delivers the signature transparent reflections of PhoenixVerb, now with multichannel support up to 7.1. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround's comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.

More channels, fewer limits

There are enormous creative possibilities with AudioTexture: use one simple sound and generate layered sounds with multiple instances of AudioTexture, or use several sound files with multiple instances of AudioTexture to compose a sound scene.

AudioTexture works best for static sound textures or well-defined transient sound events but you can try with any sounds and the results may surprise you.