The adaptive equalizer from sonible continuously analyzes audio signals and optimizes them in real-time. smart:EQ live has your back, so you can focus on the things that really count when mixing live.

Latency-free smart:engineTM for any live audio situation.

Optimally balanced sound within seconds.

Additional safety net for hassle-free mixing.

Perfect your live workflow

Real-time mixing assistant for enhanced sonic performance

fiedler audio has a reputation for setting new standards. Two years after developing the revolutionary reverberation algorithm at the heart of Brainworx’s bx_rooms, they have once again redefined the world of acoustical enhancement with stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great.

And The Stage Is Set!

Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit.

Everything you need to record, produce, mix, master, and perform. Studio One 6 makes creating fast and easy with new Smart Templates, intuitive drag-and-drop workflow, a customizable user interface and powerful, integrated tools.

Smart Templates. Fast starts.

Quick-start essential workflows for recording, mixing, mastering, beat production, or simply playing a virtual instrument – all with a single click.

Making a beat?

Load a Smart Template with Pattern editing already open and only the features you need visible.

Many people say that Electra3 is the most powerful synthesizer on the market. This is a bold claim, but why is it true? Tone2 Electra breathes new life into the term "synthesizer workstation". With its powerful and sonically versatile approach to audio production, it provides you with truly outstanding new sounds.

The instrument is equipped with a high-end quality sound engine with multi-layer support and a wide range of music-production features. It's friendly, easy to use interface allows first-timers to easily create sounds and enables experts to delve into sound-design as deeply as they want to. With Tone2's high-end technology at its core, you're not only working with the best sound quality possible, but also a lower CPU usage and larger palette for creating original sounds than with any other type of workstation.

A New Breed Of Effect

Part FX plug-in, part-synth; Texture synthesises new layers which track the dynamics of your sound. Want to "glue” your hi-hat’s transients by adding dynamic filtered noise? Or how about beefing up that kick drum by automatically adding a low sine wave? Texture makes this easy, intuitive, and fast.

Experimental musicians and sound designers will find a huge range of effects at their fingertips. How about having bubbling water track a keyboard part, or using an explosion to trigger a sequence of pitch-modulating aftershocks? Texture makes all this and more possible.

Ozone 10 marks arguably our biggest release ever and has been three years in the making. In that time, the world has changed dramatically including the needs of musicians, producers, and engineers. We wanted to share some of the thoughts that went into the development of Ozone and the user problems we are hoping to solve with the release of version 10.

Modern design

iZotope has always been dedicated to designing user interfaces that are easy-to-use but still have depth when you need to fine tune the details. You've seen some of these design elements show up in more recent products like Neoverb and Neutron—and Ozone takes a cue from those products to incorporate a more streamlined user interface that is modern yet will feel familiar to longtime users of the products. Along with the new Assistant View, we've also made the changes to the Detail View that give you easier access to the tools and controls you need with less clicks.

Ozone 10 marks arguably our biggest release ever and has been three years in the making. In that time, the world has changed dramatically including the needs of musicians, producers, and engineers. We wanted to share some of the thoughts that went into the development of Ozone and the user problems we are hoping to solve with the release of version 10.

Modern design

iZotope has always been dedicated to designing user interfaces that are easy-to-use but still have depth when you need to fine tune the details. You've seen some of these design elements show up in more recent products like Neoverb and Neutron—and Ozone takes a cue from those products to incorporate a more streamlined user interface that is modern yet will feel familiar to longtime users of the products. Along with the new Assistant View, we've also made the changes to the Detail View that give you easier access to the tools and controls you need with less clicks.

J74 Venus6 is a six voice Poly-Multi Synthesizer for Ableton Live (Max for Live). It can be used as a six voice polyphonic synthesizer (one timbre, six voices), as six independent monophonic synthesizers or as a six voice stacked monophonic synthesizer. The way voices, sequencer lines and clock are used is configurable and semi-modular. The internal sequencer of Venus6 (and of its MIDI companion VenusSEQ, also part of the package) is capable of poly-rhythmic and poly-metric sequencing due to the internal modular clock routing and clock division system.

J74 Venus6 has been built echoing the behaviour of DCO synthesizer's of the 80's: its six (virtual) voice boards have been created with slight tolerance differences (subtle, but still present in DCO systems of the time) and coupled with a voice allocation system which enhances this dynamics. The synthesizer has an internal chorus, which also echoes the chorus implementations of the same era. The same chorus is also provided as a separate audio effect, as part of the same package. Venus6 comes with 250+ presets, which range from pads to arpeggio, from bass-sequences to leads.

Engine is a fully customizable multi-page sample player specially designed for a variety of sample libraries and virtual instruments. It was developed in cooperation by Magix (former Yellow Tools) and Best Service and is based on the Independence Sampler Technology.

All Engine-based products are fully compatible with the powerful software sampler Independence 2 or newer - so you can also use the ENGINE products to expand your Independence library - of course including all Independence parameters and features.

With this new collaboration, BLEASS has distilled the phenomenal breadth and depth of Jordan’s musical knowledge and experience into an intuitive and inspirational synthesizer that has the flexibility to expand the creativity of each and every musician.

BLEASS SampleWiz 2 unleashes your sonic creativity and the power of your iPad or iPhone. With just a few swipes of your finger you can easily capture any sound and transform it into a playable, expressive, gorgeous-sounding synth voice.

BLEASS SampleWiz 2 fits in with your way of creating and performing too, with both standalone app and AUv3 plugin included. And as well as operating as an instrument, the plugin can be used as an effect, making it wonderfully easy to sample and resample from any other instrument or track within your host app.