Vibes like a mic plugged straight into an API console from 1976, with hints of sparkle and sheen to the saturation

Model A vibes like a mic plugged straight into an API console from 1976. Adding a hint of sparkle and sheen, it slowly breaks up into a gritty white cloud of antique saturation. Pairs perfectly with the Omega Mic Pre.

Nails the dark, thick, and rounded sound of the coveted vintage Neve pre it's modeled after

Model N nails the sound of the coveted vintage Neve pre it's modeled after. Dark, thick, and round, just a kiss imparts a dusty patina, pushed hard it gets downright fuzzy and soft. Pairs perfectly with the Omega Mic Pre.

Add the legendary tube sweetness of A-Designs' Bass D.I. Box to any sound in your mix. From A-Designs Digital by Kush.

THE SOUND OF REDDI

The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up.

A lovely saturation and distortion generator pulled straight from the heart of Kush's own Tweaker hardware compressor.

Model TWK is a vintage distortion pulled straight from the heart of Kush's own Tweaker hardware compressor. The sound of Omega TWK comes from modeling the way Tweaker overdrives a pair of "supermatched transistors” feeding a long chain of dirty 70's op-amps, all of which have specs that, by modern standards, would be considered abysmal.

Rarefied tube emulation with a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh.

This rarefied tube emulation has a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh, turning cymbals from brass to gold, and gluing bass into a molten fiery blob of love. Pairs perfectly with the Omega Mic Pre.

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible