Voxengo LF Max Punch is a professional audio effect AAX, AudioUnit, and VST plugin for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life. LF Max Punch provides a low-frequency effect specially designed for serious contemporary music producers, offering them a convenient tool for bringing a smooth punch and "oomph” to audio tracks and sounds.

LF Max Punch plugin dynamically emphasizes selected bass-frequency band, applies a smooth saturation over it, and produces additional sub-harmonic content, with the ability to blend it with the original bass-band sound. Optional compression can then be applied to the resulting low-frequency sound. LF Max Punch first splits the broad-band signal into low- and high-frequency bands, and then applies the aforementioned effects to the lower band only.

Reviver creates harmonic distortion, a sound which is often connected to vintage gear. It does not emulate analog equipment, but instead gives the user full control of overtone generation and volume. Despite this high level of controllability, Reviver's user interface is intuitive and provides the desired result after just a few mouse clicks.

Second-Order Harmonics

Second order harmonic overtones play an important role in the sonic coloration that tube amplifiers add to audio. The sound produced by tubes is often perceived as "warm" and "smooth". Using Reviver it is possible to add second order harmonics to your sound in a very precise way.

Yoko is the essential tool for creating unique multiband effects within Reason.

It splits an audio signal into low, mid, and high frequency bands, each equipped with gain control and stereo metering. Fully featured CV input and variable levels of cutoff slope allow for surgical precision and modulation, making Yoko an effect of its own and a powerful tool when used within a chain.

Yoko: Multiband Everything.

TS-1 is a multimode frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our "Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics.

TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and "compress” your signal, in a similar way to a tape saturation.