DIVA - Dinosaur Impersonating Virtual Analogue Synthesizer. The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g. PSpice) in realtime. The behaviour of zero-delay-feedback filters when pushed to the limit clearly demonstrates the advantages of this groundbreaking approach.

A VISUAL SYNTHESIZER Abyss is a visual synthesiser with character and a bit of fairy dust. It brings to you dark, vibrating drones, vivid cinematic pads and rich evolving textures. With Abyss you find instant inspiration for your music and sound design projects. The sound engine of Abyss combines the rich and deep textures of natural sounds with the effective flexibility of classical synths. Of course there is a virtual analogue filter, but there are also controls to shape tone colours in unheard ways. Explore fresh sonic possibilities.

Whan is Abyss?

Modify, change and disguise your voice in any application or game that uses a microphone to add another dimension of creativity. From ‘Girl’ to ‘Alien’, the voice changing options are limitless.

Create voices for online video games, avatars and podcasts

Voice disguiser for anonymity over the radio or internet

Change voices for voiceovers and other audio projects

Zebra2 is a sound-design playground. A powerful, high quality (but still CPU friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need - the rest is up to you.

ReDominator is an emulation of the classic Alpha Juno 1/2 (JU-1/2), a polyphonic DCO (digitally controlled oscillator) based synth from 1986. The JU-1/2 became popular in the early 90's techno and rave scene particularly by the classic Hoover sound (which ReDominator attempts to emulate accurately). But beyond those niche sounds there lays a versatile synthesizer that does bass, pads, leads, organs and a lot of other sounds waiting to be discovered!

DCO

Featuring fourteen (14) different harmonically rich waveforms including a unique PWM-sawtooth. Three waveforms can be combined per voice enabling massive sounds.

The first workstation synthesizer, released in 1988, which defined the sound of the late ’80s and early ’90s: M1.

Along with its innovative "workstation" concept, the M1's "AI" (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg's voicing technology. Numerous sounds available only from the M1, most notable the famous "M1 Piano” sound, were taken up by musicians and producers around the world, and are still in use today.

MDE-X is equipped with 19 different effect programs carefully selected from KORG digital effects, including Compressor, Limiter, Overdrive, Equalizer (EQ), Talking Modulator, Flanger, Phaser, Chorus, Delay, and Reverb.

* No official KORG Software Pass is needed to install.

* You need TEAM R2R KORG Software Pass v1.0.1 or above.

AudioRealism Bass Line 3 (ABL3) is the next generation of our critically acclaimed 303 emulation plug-in. ABL3 is a complete redesign from scratch and has been in development for several years with the goal of creating the most authentic emulation possible. With an intuitive and streamlined workflow we hope ABL3 will set a new benchmark in software 303 emulation.

► AudioRealism has updated the VST/AU versions of Bass Line 3 to v3.1.0.

Combining the know-how of analog reproduction and elaborate modeling technology.

The ARP ODYSSEY synthesizer, perfectly reproduced in software.

Since the birth of the ARP Odyssey in 1972, it has been a renowned analog synthesizer used on many artists’ records. However, for a number of years it was quite difficult to come by. In 2015, KORG welcomed ARP Instruments’ co-founder David Friend as an advisor and began production of the hardware once again.

Zebra2 is a sound-design playground. A powerful, high quality (but still CPU friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need - the rest is up to you.