R2 introduces a lush, colourful stereo reverb algorithm to Exponential Audio's familiar design. Use the chorus and gate effects to colour and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.

Rich, character-filled reflections bring unique colour to your music

AudioElec is an electrified sound synthesizer. It generates sounds like hum, impulse, sparks and telemetry.

AudioElec is a synthesizer dedicated to the emulation of electrical sounds. The synthesizer is based on Le Sound's dynamic modeling technology and uses sampling only for very specific modules. That is, it produces sounds by solving, on the fly, mathematical equations modeling the different components of electrified sound approximations developed by AudioGaming. This complex synthesis engine responds dynamically to the control signals it receives and exposes high-level controls carefully mapped to the low-level synthesis model.

Even- order harmonics produce smooth, musical characteristics as opposed to odd- order harmonics, which tend to sound harsh. FD1/2/3N ' tend to introduce some degree of even-order harmonic distortion that produces a "warming” effect by thickening the overtones of the original signal.

FEATURES

Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give extremely high quality results with minimal tweaking, hence they sound great and are easy to use.

These plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application.

RA is a Nonlinear plug-in for the professional Audio Engineers that demand the most from their plug-ins. The plug-in can be thought of as an amplifier that is being over driven, (Wave Form Compression), but there is control over what part is being overdriven. An analogy from photography, it is like the curve function.

The controls in RA are divided into 4 groups.

The first and most useful control is the LOW LEVEL control; it is in the middle of the graphic. This control brings up the low level content of the audio. It may also be thought of as a detail control. It functions like an amplifier being over driven, but works more on the low level part of the signal and less on the high level part. This control generates third harmonic distortion. The LOW LEVEL control can also have a multiplying effect on other plug-ins by increasing their effect.

e B-Comp is a stereo compressor. it was originally designed after testing diode bridge compressors.

The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with ‘colour’ or ‘feel’ of the sound.

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible

Shade is a next-gen Swiss Army knife filtering tool, designed to shatter the boundaries of conventional EQ, filtering, and modulation effects. More than a filter, Shade is a creative environment, combining an unparalleled selection of 35 filter shapes with 9 types of modulators. Drag-and-drop modulation onto any parameter in a fully-configurable semi-modular system, complete with one-to-many and many-to-one routing, cross-modulation, envelope followers with sidechain and filter inputs, featured MSEGs, triggerable envelopes that can sync to host, audio, or MIDI, comprehensive multichannel support, and more. Shade delivers the EQ and filtering features you already know and love, while opening a whole new world of creative effects to explore.

Tube EQ has a reputation for a warm sound produced by the introduction of even-order- harmonic distortion. Even-and odd-order harmonics are related to the overtone series that gives instruments their particular timbre. FDN series can emulate several types of guitar amplifiers and shape the overdrive sound.

FEATURES

Smoothness and transparency. BeComp is a dynamics processor that will change the way you use and think about compressors and compression.

The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks.