Join us at Red Bull studios in New York for a mixing series with analog fanatic Russell Elevado! Using a SSL 9000 J-series console and a selection of quality outboard equipment, the renowned engineer builds a new mix of 'Till It's Done' by D'Angelo. Elevado shares his rationale for using no plug-ins, drawing comparisons with the fundamentals of hardware versus modeled software. He also discusses the benefits of console workflow, elaborates on differences between SSL models, reveals why he most often uses no mix buss chain, and takes you through the gear used on this project.

Join us at Larrabee Sound Studios for a series on mixing 'Not a Bad Thing' by Justin Timberlake! With the Pro Tools multi-track session running through a SSL 9080 XL K-Series console, the renowned mix engineer Jimmy Douglass reveals his techniques employed on many chart-topping urban records. Using a combination of hardware and plug-ins, Douglass imparts his methods for treating drums, percussion, piano, synth pads, bass lines, guitars, and vocals.

Step into the Hollywood studio of distinguished engineer Tony Maserati, where he mixes the stem session of 'Pick U Up' by Foster the People! Tony voices his initial ideas upon listening to the material, then embarks on a journey of sonic enhancement, signal blending and problem solving.

Join us at Sphere Studios in Los Angeles with the revered producer and engineer Nick Launay, where he shares his experience and people skills approach to working with bands. Focussing on Black Rebel Motorcycle Club, Launay discusses tracking at Sunset Sound studios, and enlightens us to his mixing process that comprises most of the work 'in the box', then finishing on a console.