MWTM presents its debut series on the art of post-production engineering! This release features the eminent re-recording mixer Ron Bartlett, accompanied at his private studio by score mixer Alan Meyerson. The installment focuses mainly on Bartlett’s work, with Meyerson assuming the role of interviewer and contributor.

You will learn about Ron’s approach and techniques for blending music with dialogue, effects, and Foley sound. He often receives a score mix project from Alan, which was the case with ‘Dune’, the 2021 Academy Award-winning film highlighted in this series. Bartlett takes you through the stem session, explaining group contents, routing, placement, and processing. He discusses his primary objective as a dubbing mixer – to blend the material in a way that appears seamless and immersive without causing any sonic distraction to the viewer. Further to exploring ‘Dune’, the pair discuss other projects they have collaborated on, and how their workflows are different yet complementary to one another. 




Join Alan Meyerson to explore the music of the award-winning 2020 movie 'Mank'! In this series, Meyerson describes how he has redefined his workflow in light of restricted access to commercial studios and sessions. He takes you through his compact yet highly efficient 5.1 home setup, discussing his transition to a different process and environment. Alan explains how he has managed to continue achieving world-class results on major film and game scores with his new simplified rig. He refers to a number of projects undertaken since early 2020 and shares the ways in which he has harnessed technology to get the job done consistently and without compromise. Taking you through his Pro Tools mix session of 'Mank', Alan Meyerson plays the various parts, details how they were recorded by solo musicians, and reveals an impressive convolution plug-in that has been a saviour in his line of work!

Enter the compelling world of film score mixing at Studios La Fabrique with the acclaimed engineer Alan Meyerson! We explore the multi-track of a piece from the 2018 sci-fi action movie 'The Predator', composed by Henry Jackman and recorded at the Newman Scoring Stage of 20th Century Fox. Meyerson reveals his microphone, preamp and signal routing decisions at the tracking stage, then takes you through every aspect of the intricate Pro Tools session. We observe how he harnesses modern DAW, plug-in and control surface technology to manage expansive track counts and let mixing creativity flourish. Alan explains his implementation of groups, VCAs, auxiliary channels, master faders, automation, time-alignment, pitch-shifting, and more. He also shows his array of plug-ins and parameter settings used to treat a wide variety of orchestral instruments and samples.

Explore the hybrid mixing workflow of Marcella Araica, mixing engineer of pop hits by Timbaland, P!nk, Madonna, Duran Duran, Britney Spears, and many more! On an SSL 9000J at Platinum Sound Studios in NYC, Marcella opens the 2007 Pro Tools session of 'Bad Girls' by M.I.A., originally mixed fully analog. Using a combination of her favourite plug-ins and hardware, she builds a fresh new mix of the track. Watch her moves every step of the way as she takes you through her parameter settings, creative choices and mixing philosophy.