F.’em is one of the most powerful FM Synthesizers ever made, taking advantage of modern CPU resources to process its freely configurable 11 operator matrix. It’s a hybrid quad-timbral synthesizer that can function as an FM, VA and Sample based instrument, with the added bonus of a dual multimode filter, a complex effect section and an incredibly flexible modulation matrix .F.’em takes FM synthesis to the next level. I enjoy the sonic and modulation capabilities provided in its meticulous and thoughtful design. Virtually every nook and corner has been considered with how parameters can be modulated. I look forward to creating some GNARLY bass sounds with this beast!

Spectra is a powerful digital additive resynthesiser built exclusively for the Reason platform. Spectra’s ability to analyse and resynthesise any periodic, harmonic waveform via its inbuilt spectral waveform analyser means you may never exhaust Spectra’s sound creation possibilities. If you have ever wanted to sculpt sound by drawing your harmonic spectrum, waveform or drawing a spectral filter response then Spectra may be what you’ve been waiting for.

Each voice in Spectra’s synthesis engine utilises two spectral generators giving you complete control over the harmonic structure of your sound. The built in and user definable spectrum modulators ensure you can control multiple harmonics, single harmonics, morph 2 spectra, sequence spectral morphing, morph filters, sequence filter morphing all via automation.

We've come a long way since the 80s!

Many iconic sounds of the 80s were created using FM synthesis, but why stop there? With Algoritm we have ramped up that technology, so you can create the iconic sounds of the 20s. Easy to just mess around with, yet deeply tweakable, Algoritm's hybrid approach to FM invites you to explore a world of sounds you've never heard before.

Syn’X 2 is a Polytimbral Synthesizer inspired by the synthesis part of a legendary Italian Synthesizer from the 80's, while its multi-layer card-based architecture is inspired by sophisticated hardware analog monsters like the Oberheim Matrix 12.

The Sound :

It offers the striking combination of clear and punchy DCOs with cutting multimode modeled analog filters like its ancestor, one of the last Vintage Polyphonic Analog Synthesizers, and a piece of Synthesis history, including the famous BBD Chorus!