Sknote SoundBrigade v3.7.6.0 WiN
VST Effects / VST Plugins / Audio Soft
7-02-2023
A brigade of filters with a mission.
Evidence, Mastering, Mixing, Product, Software, Software Product.
A "Brigade” of filters has a "Mission” assigned (an algorithm).
They act in reaction to incoming signal, only in the frequency range assigned by the user.
The special configuration of the filters and the way they interact make SoundBrigade a new and unique effect.
Tame – A track contains a frequency band which stands up too strong but an EQ isn’t the way to go. The action of the filters tames its level, while being transparent and preserving dynamics.
Control – Some tracks may require to get a fuller spectrum, not only by taming peaks but also by "upward” compressing components.
Wakeup – To be used on dull tracks, where dynamics are too compressed, or the spectrum is flat. Also interesting for experimenting. High peaks get higher, low valleys get lower.
Rotate – No EQ action, no modifications of the spectrum, just phase rotation. The more the filters are focused on a narrow range, the stronger their action. So called "dispersion” (makes "tac” sound "twack”), in a different way. Try it on strong peaks, as a de-esser, on pops and more.
Note: Only Center and Range controls affect the "Rotate” Mission.
Master – Like Tame but filters’ parameters have a strong frequency dependence, suitable for a mix.
NEW in v.2 – Dry-out. No thresholds, dries-out tails from the sound in the selected frequency range. Too much reverb somewhere? This could be magic.
NEW in v.2 – De-snap. No thresholds, tames peaks in the selected frequency range. Some frequencies are too dynamic? Set and go.
Threshold – Set the internal level threshold for the filters. The actual value is related to Tilt control (see below).
Tilt – Music contains more energy in low frequency range, less energy in higher frequency range. Looks like a slope from 4.5 to 6dB/octave. The action of the filters is smoother if their thresholds are aligned to the overall spectrum. It is NOT a tilt EQ. For example, if Threshold is set to 0dB and Tilt is set to 6dB/octave, a filter centered at 100Hz (one octave about the reference, 50Hz) has a threshold of -6dB.
Makeup – a simple makeup gain after the effect.
Control/Snap switch – Selects time constants for the effect. Snap is generally a bit slower, tuned to enhance attacks.
Center – set the center frequency for the range of action.
Range – set the width of the range of action. No effect is applied out of this range.
Action – scales the overall action of the effect, from dry to max sensitivity.
Mission – the algorithm for the filters.
Display – its mode changes with the selected Mission. Bars show input levels, small squares show filters’ action. No units, action is more complex than that, is useful just as a visual reference.
home page:
https://bit.ly/40CdMwu
Related articles
Reason RE Turn2on DoubleComb v1.0.0 WiN
Soft / VST Effects
31-03-2022
ntroducing a new Comb filter with positive/negative morphing in Rack Extension format.
Comb filters usually reshape waveforms, ending up with a signal that resembles a comb shape.
Comb filters create copies of a signal and work as a delay and filter at the same time. Small delays between copies of the signal create phase offsets and their sum builds peaks. Filter Frequency sets the length between these peaks. Resonance sets the strength of resonant peaks at the cutoff frequency. This results in a newly-shaped waveform, called Comb filter line.
Reason RE Turn2on Isolate-X v1.1.1 WiN
VST Effects / VST Plugins
31-03-2022
Frequency Isolator / Remover Utility. Isolate-X is a game changer for many tasks such as cutting any range of frequencies (popular in DJs world) without the use of addition filters or EQs. isolating frequency range, and muting vocals/instrument in a particular frequency range.
Isolators are crossovers of bands that than sum all the split signals per bandits a final stereo signal.
Reason RE Turn2on TSM 2040z v1.0.1 WiN
VST Effects / VST Plugins
30-03-2022
Although named as such, the TSM 2040z Sub LowPass Filter is not a typical Low Pass Filter. Such filters stem from the era of the earliest polyphonic synthesizers. They were designed in parallell to the filters of the monophonic synthesizers, and in the first stages of development produced bass enhancements at high resonance frequencies. However, they lacked gain compensation.
Returning to the beginings of filters, inspired us to create a Sub LP filter.
Reason RE Lab One Recordings Zplane Morphing Filter v1.0.1 WiN
VST Effects / VST Plugins / Audio Soft
19-10-2021
Straight from LAB:ONE Recordings’ PATRIOT range of effect units come Z-Plane, a dedicated dual filter mixing & morphing device.
Dual morphing & mixing filters
Dual function display (meters & frequency plots)
7 modes per band with independent settings